Course ID: | GRMN 3875. 3 hours. |
Course Title: | German Fairy Tales |
Course Description: | Traditional folk fairy tales by Jacob and Wilhelm Grimm and
literary fairy tales by Clemens Brentano, E.T.A. Hoffmann,
Ludwig Tieck, Johann Wolfgang von Goethe, Friedrich de la Motte
Fouqué, Michael Ende, and others in social and cultural
contexts. Representations of fairy tales in film and TV. Taught
in English. |
Oasis Title: | German Fairy Tales |
Duplicate Credit: | Not open to students with credit in GRMN 3870 |
Grading System: | A-F (Traditional) |
|
Course Objectives: | This course introduces students to the study of fairy tales as
a means of learning about culture and society. Students will
develop writing skills by reading, discussing and writing
critically about fairy tales in short essays and they will
learn to read fairy tales in the social and cultural context of
Germany society since the 19th century. Students will learn
about the didactic, social and political significances of fairy
tales at this point in Germany's history. Students will also
learn to respond critically to theories and interpretations of
fairy tales from secondary literature. |
Topical Outline: | In this course, students will begin by reading traditional folk
fairy tales by the Grimm brothers in translation. The selection
of folk fairy tales will include commonly known and less
commonly known fairy tales by Jacob and Wilhelm Grimm. Students
will also read some secondary literature about the fairy tales
and their psychological and cultural interpretations and we
will view some representations of the fairy tales in film and
in the TV series “Grimm.” The course will be organized in
thematic units:
Folk Fairy Tales
Week 1 – stepchildren/stepmothers
• Cinderella
• Snow White
Week 2 – naïve girls and dangerous wolves
• Little Red Cap (Grimm brothers)
• Red Riding Hood (Charles Perrault)
Week 3 - the power of love and patience
• Briar Rose
• Rapunzel
Week 4 – siblings/team work
• Hänsel and Gretel
• Brother and Sister
• The Town Musicians of Bremen
Week 5 – spinning/hard work
• The Three Spinners
• The Lazy Spinner
• Rumpelstiltskin
• Mother Holle
Week 5 – violent husbands
• The Robber Bridegroom
• Bluebeard
Weeks 6-7: secondary literature about folk fairy tales and film
Bruno Bettelheim: “Little Red Cap and the Pubertal Girl”
Jack Zipes: “’Little Red Riding Hood’ as Male Creation and
Projection”; “Cross-Cultural Connections and the Contamination
of the Classical Fairy Tale” Siegfried Neumann: “The Brothers
Grimm as Collectors and Editors of German Folktales” Linda
Worley: “The Horror! Gothic Horror Literature and Fairy Tales:
The Case of ‘Der Räuberbräutigam” Film: “Red Riding
Hood”; “Snow White”, “Hansel and Gretel”; “The Sorcerer’s
Apprentice”; TV series: “Grimm” (selected episodes)
Weeks 8-15: Students will also read several longer literary
fairy tales that were inspired by the Grimm brothers and their
narrative style. Literary fairy tales will include some or all
of the following:
Ludwig Tieck: Eckbert the Fair
Friedrich de la Motte Fouqué: Undine
Clemens Brentano: The Tale of Honest Casper and Fair Annie
E.T.A. Hoffmann: The Golden Pot
Michael Ende: The Neverending Story |
Honor Code Reference: | All academic work must meet the standards contained in “A
Culture of Honesty,” the university’s academic honesty policy.
Students are responsible for informing themselves about these
standards before performing any academic work. The UGA Office
of the Vice President for Instruction defines academic honesty
as follows: “Academic honesty means performing all academic
work without plagiarism, cheating, lying, tampering, stealing,
receiving unauthorized or illegitimate assistance from any
other person, or using any source of information that is not
common knowledge.” More detailed information can be found at
http://www.uga.edu/honesty/ahpd/culture_honesty.htm. |