Course ID: | MUSI 2200H. 3 hours. |
Course Title: | Honors Seminar in Music |
Course Description: | Discussion of music and the broad evolution of musical styles
from both western and non-western traditions. Students will
explore a variety of individual musical topics and participate
in class discussions on the creation, performance, and
reception of music. |
Oasis Title: | HONORS SEM IN MUSIC |
Duplicate Credit: | Not open to students with credit in MUSI 2020 |
Prerequisite: | Permission of Honors |
Semester Course Offered: | Not offered on a regular basis. |
Grading System: | A-F (Traditional) |
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Course Objectives: | This course addresses special topics in music. Upon completion,
the successful student will be able to:
* recognize and describe significant aspects of musical style,
aesthetics, performance, or process in music of specific
historical and cultural contexts;
* demonstrate active learning through informed participation in
the musical and cultural life of the local, historical, or
global cultures studied;
* deliver oral presentations appropriate to professional
audiences. |
Topical Outline: | Main topics may include:
* introduction to the cultural study of music as a global
phenomenon;
* introduction to the historical study of music and the variety
of musical traditions;
* case studies of selected music cultures, genres, composers,
and works;
*exploration of the applied study of music within the larger
framework of the social and cultural experience. |
Honor Code Reference: | The following standards apply to all writing submitted for credit in this course:
1. Cite all sources, internet as well as print, both in the body of your paper and at
the end in a Works Cited list. Just because it’s on the Web does not mean it’s
common knowledge. In fact, the opposite is true: you must tell your reader where the
words and ideas come from, so that your reader can “check it out.”
2. The obligation to provide citations applies to ideas as well as words. Therefore,
you will need to acknowledge sources not just for direct quotes, but also when you
are summarizing or paraphrasing.
3. It is not true that “factual” information need not be cited. Much factual
information is of doubtful origin, or at the other extreme, of very specific origin.
If you are not abolutely sure that your facts are common knowledge, cite their
source.
4. Cite your sources for recordings you listen to, whether commercial CD, someone’s
tape of a CD or LP, or internet site. Treat the sources of “sound” just like the
sources of print. I should be able to trace these sources back to an “original,” at
least in theory, so that the producers of the music get the scholarly recognition
they deserve. |