Course Description
Popular Hollywood films as they illustrate culture, social class, race, gender, identity, and other sociological concepts. The ideological and utopian aspects of film are emphasized.
Athena Title
Sociology in Film
Equivalent Courses
Not open to students with credit in SOCI 3000W
Prerequisite
SOCI 1101 or SOCI 1101H or SOCI 2600 or permission of department
Semester Course Offered
Offered every year.
Grading System
A - F (Traditional)
Course Objectives
Sociology in Film is designed to accomplish several major objectives. First, the course will supplement and reinforce some of the lessons learned in the 1000-level sociology courses, particularly Introduction to Sociology. Among the major topics we will cover this semester is the manner in which contemporary American films approach and depict issues of culture, identity, social class, race, gender, and romance. Second, students will use film and other texts to analyze contemporary (and past) American cultures and subcultures in order to better understand the ways in which forces of social reproduction and social transformation continually operate to make and remake human societies. Finally, the course will analyze the Hollywood film industry in terms of its organizational structure (production, financing, advertising, and distribution) and its role in contemporary global culture. Students will learn to view movies not simply as a form of entertainment but as a powerful cultural force that contains within it many of the themes and contradictions that are part of the larger society. Students will be asked to demonstrate their mastery of the course content in written work that is appropriate for an academic context. Students will be asked to demonstrate their mastery of the course content in speech that is appropriate for an academic context.
Topical Outline
1. How do sociologists look at film? a. The cultural diamond b. Ideological and utopian themes c. Political issues: Can movies have be political even when they’re not about politics? 2. The Structure of the Film Industry a. Movie Distribution Works b. The Art of the Deal c. How Theaters Get A Movie d. The Need for Concessions e. First Run vs. Second Run 3. Film criticism and critics 4. Social Class in the Movies 5. Ethnicity, assimilation, and nostalgia 6. Gender Relations and romance in the movies and in life 7. Blacks, whites, conflict, and romance 8. Alienation, Autonomy, and the Self 9. The State and Social Conflict
Syllabus