Builds on Camera and Lighting I, focusing on broadening the understanding and execution of the aesthetic and technical practices of motion picture cinematography. The cinematographer as the leader of the camera department and grip and electric departments is also examined.
Athena Title
Cinematography II
Equivalent Courses
Not open to students with credit in FILM 6042
Prerequisite
EMST 6041
Pre or Corequisite
EMST 4040/6040
Semester Course Offered
Offered spring
Grading System
A - F (Traditional)
Student learning Outcomes
This course is built upon an integrated approach to understanding and applying advanced camera and lighting concepts through praxis.
Students will apply the principles of lighting and camera taught in Cinematography I through class exercises and short films outside of class in preparation for the MFA Thesis in film.
Topical Outline
Grip and Electricity: An exploration of light controls, flags and cutters, diffusers and holding clamps, as well as electrical supply systems, power sources, distribution equipment, and electrical safety.
Painting with Light: An examination of mood, full range of tones, color control, and color balance, as well as quality of light and relative size of radiating sources and lenses.
Understanding Lenses: A survey of focal length, field of view, lens speed, depth of field, and the impact these have on image, light, and the perspective of the viewer. Special emphasis on the relationship between lens choice and story.
Light Meters and Gray Scale: An analysis of foot candles, sensors, f and t stops, and how the use of a gray card impacts color balance and exposure during production and post-production.
Filtration and Gels: An examination of color balance and color temperature and its impact on image, mood, and story. Correcting light balance will also be discussed and practiced through in-class shooting and testing.
Dollies and Tracking: An analysis of how the physical movement of the camera with a constant focal length changes the perspective of composition and audience emotion. Motivated camera movement will be practiced through exercises where the camera follows alongside, in front of, and behind subjects.
The Team and Set Operations: An exploration of how the director of photography leads the camera and grip and electric departments while seamlessly working with other departments in pre-production and production. The process of blocking, rehearsing, lighting, and shooting will also be explored.
