Art Appreciation
Understanding two- and three-dimensional media and practices within the field of art through language and history to enhance aesthetic appreciation for visual culture and one’s own creative expression.
See Course DetailsArt Appreciation
Understanding two- and three-dimensional media and practices within the field of art through language and history to enhance aesthetic appreciation for visual culture and one’s own creative expression.
See Course DetailsLooking at Art in Situ
An intensive 7-10 days of visiting sites (museums, churches, palaces, gardens) associated with travel to a major city or important location. The instructor lectures and leads discussion on site. Students participate by writing, discussing, or presenting.
See Course DetailsCultural Diversity in American Art
Understanding the diverse artistic contributions of various cultures to American art through language and history, while studying two- and three-dimensional media and practices to enhance aesthetic appreciation for visual culture, one’s own creative expression and the evaluation of power and representation in art.
See Course DetailsCultural Diversity in American Art
Understanding the diverse artistic contributions of various cultures to American art through language and history, while studying two- and three-dimensional media and practices to enhance aesthetic appreciation for visual culture, one’s own creative expression and the evaluation of power and representation in art.
See Course DetailsStrategic Visual Thinking
Data collection, interpretation, and presentation techniques using visual design tools to facilitate and influence decision- making in diverse aspects of daily life. Projects include the development and administration of surveys and the organization, analysis, and presentation of quantitative information. Emphasis is placed on the role of the visual arts in decision- making.
See Course DetailsStrategic Visual Thinking
Data collection, interpretation, and presentation techniques using visual design tools to facilitate and influence decision- making in diverse aspects of daily life. Projects include the development and administration of surveys and the organization, analysis, and presentation of quantitative information. Emphasis is placed on the role of the visual arts in decision-making.
See Course DetailsMaterials and Techniques of Artworks
Investigation of both historic and modern materials and methods used to produce works of art and archaeological-ethnographic objects. Aspects of deterioration, historic treatment, museum conservation practice, and methods of technical examination are highlighted.
See Course DetailsThe Psychology of Art
A psychological approach to the study of art. Examples of questions examined include: Can art be defined? How does art express emotion? Is “good” art just a matter of taste? How do people respond to art produced by AI? These topics and related others will be covered.
See Course DetailsArtist’s Research Methods : Art is Information
What is research to a visual artist? This course will cover modern research methods as they pertain to the visual arts. Emphasis will be placed on the contemporary application of visual arts research today. Suitable for upper-level undergraduate and graduate studio art students working in any media.
See Course DetailsArtist’s Research Methods: Art is Information
What is research to a visual artist? This course will cover modern research methods as they pertain to the visual arts. Emphasis will be placed on the contemporary application of visual arts research today. Suitable for upper-level undergraduate and graduate studio art students working in any media.
See Course DetailsArt and Design in the City Intensive Field Study
Field study course designed to provide first-hand exposure to contemporary art and design practices in a major metropolitan area. Students will visit studios, collectives, installations, galleries, and artist communities, as well as be introduced to the professional practices of these areas through meetings with curators, gallery directors, and critics.
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